Movie - Jiwhala

It's recommended to look Jiwhala movie

Movie Is being made - in 1968.

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Countries: India
Languages: Marathi

In movie have been taken:

Ram Narayan Gabale (director)
Birth Notes: Kolhapur, Maharashtra, India
Birth Date: 20 March 1914

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Movie - Giraffe no kubi wa naze nagai

Not bad - Giraffe no kubi wa naze nagai movie (Jirafu no kubi wa naze nagai).

Movie Premier in 1926.

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Color Info: Black and White
Countries: Japan
Genres: Animation, Short
Languages: Japanese
Sound Mix: Silent

In movie played:

Yasuji Murata (director)
Birth Notes: Yokohama, Japan
Death Date: 1966
Birth Date: 1896

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Movie - El alebrije creador

I enjoyed El alebrije creador movie

Movie Issued - in 2003.

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Color Info: Color
Countries: Mexico
Genres: Documentary, Short
Languages: Spanish
Locations: Mexico
Runtimes: 19
Release Dates: Mexico:2003

In movie have been taken:

Hugo Argüelles (actor)
Death Notes: Mexico City, Mexico (prostate cancer)
Birth Notes: Veracruz, Veracruz, Mexico
Death Date: 24 December 2003
Birth Date: 16 January 1932

Mitl Valdéz (producer)
Birth Notes: Mexico City, Distrito Federal, Mexico
Birth Date: 24 July 1949

Olimpia Quintanilla (writer)

Julian Fernandez (cinematographer)

Olimpia Quintanilla (director)

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Movie - Elle et lui (1987)

Not bad - Elle et lui movie

Movie Premier in 1987.

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Countries: France
Genres: Short
Languages: French
Runtimes: France:13

In movie have been taken:

Pascal N'Zonzi (actor)

Hélène Lapiower (actress)
Death Notes: Brussel, Belgium (cancer)
Death Date: 12 September 2002
Birth Date: 11 September 1957

François Margolin (writer)
Birth Date: 29 March 1955

Caroline Champetier (cinematographer)
Birth Notes: Paris, France
Former student at IDHEC (La FEMIS)., Professor at La Femis (Paris)
Spouse: 'Louis-Do de Lencquesaing' (qv) (? - ?)
Birth Date: 1954

François Margolin (director)
Birth Date: 29 March 1955

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The Movie - Badman's Territory (1946)

Leads the ratings - Badman's Territory movie (La terra dei senza legge).

Movie Is being made - in 1946.

Narrator: But an uncommon misconstruction be made in this race in mast of statehood. A discard of arrive was emphatically overlooked... forgotten. It was moved out minus tenet or sheriff. This strip enjoy no decriminalized starting function for outfit of any benevolent. And in the closing decade of the Nineteenth Century, it become a hideout for the outlaw who infested the west. No United States Marshal dare scheme nearby. It was call Badman's Territory., Hodge: Well, Doc?::Doc Grant: I'm afraid he's made his last mistake., Doc Grant: Men that put away their guns can't argue with the men that still carry them., The Coyote Kid: Where are you headed for next, Bob?::Bob Dalton: Two banks.::The Coyote Kid: Double-header, huh?, Bill Hampton: You know, I could kill you for what you just done.::The Coyote Kid: Yeah, you've killed a lot for a lot less., The Coyote Kid: Daggone it, Sheriff, you should have been an outlaw!, Henryette Alcott: I'd advise you to remove that star.::Sheriff Mark Rowley: Well, thanks, but I think I can take care of myself.::Henryette Alcott: The life expectancy of a sheriff can be very short in Quinto., Sheriff Mark Rowley: Johnny, if you were an outlaw camped down there on the creek and saw a posse coming up behind you, what would you do.::Deputy Sheriff Johnny Rowley: I'd head up this cut to open country where a man could use a fresh horse.::Sheriff Mark Rowley: Right! Now, as a deputy sheriff who's figured out the outlaw's next move.::Deputy Sheriff Johnny Rowley: I'd sneak up behind those trees.::Sheriff Mark Rowley: Right!::Deputy Sheriff Johnny Rowley: And pump lead into 'em as they come up.::Sheriff Mark Rowley: Wrong! A good officer don't kill except in self-defense. The saw says every man has a right to a fair trial.::Deputy Sheriff Johnny Rowley: Outlaws? Train robbers?::Sheriff Mark Rowley: And even murderers. No man's guilty until he's convicted. So try to take your man alive.::Deputy Sheriff Johnny Rowley: But what if he shows fight?::Sheriff Mark Rowley: That's different! Shoot and don't miss!
'Ben Johnson (I)' (qv) appear uncredited via reserves of a contestant of Marshal Hampton's posse. He even personal a file or two of dialogue. He and the guide and another deputy dismount and enter a errand by the edge of location. In the subsequent shot, the studio inside, Hampton and the deputy come through the door, but not Ben, he has disappeared and be see no more.
Copyright Holder: RKO Radio Pictures, Inc.
After numerous big gun skip next to a posse, the James Gang chief contained by shop at of Quinto in a cubicle of natural features which be not a shaving of America. Anyone here is olden the imperative that`s why the town is populated with outlaw. Next to arrive is Sheriff Rowley, following his brother whom the Gang grab bring in broken. Rowley have no sway and get next to all right adequate with the James boy but is shortly an assortment of uphill in other provincial goings-on, with a waddle to determination for annexation with Oklahoma which would allow the law well and truly in.
Certificates: Finland:K-16, Sweden:15, USA:Approved, UK:U
Color Info: Black and White
Countries: USA
Genres: Western
Languages: English
Runtimes: 97, USA:79
Sound Mix: Mono
Tech Info: OFM:35 mm, PCS:Spherical, PFM:35 mm, RAT:1.37 : 1
Release Dates: USA:1 April 1946, Sweden:23 September 1946, Finland:17 September 1948, Denmark:14 February 1949, Austria:24 February 1950, West Germany:11 December 1953
See Them ALL...IN ACTION -- IN ONE PICTURE! The James Boys - The Daltons - Belle Starr, NOTORIOUS FRONTIER OUTLAWS...IN ACTION! (original print ad - all caps), AMERICA'S MOST EXCITING ERA! (original ad - all caps), WANTED FOR MURDER AND ROBBERY --- THE DALTON BROTHERS --- THE JAMES BOYS (original ad - all caps), The West's worst killers strike again!

In movie have been taken:

Fred Aldrich (actor)
Death Notes:Los Angeles, California, USA
Birth Notes:New York City, New York, USA
Death Date:25 January 1979
Birth Date:23 December 1904

Steve Brodie (actor)
Father of director 'Kevin Brodie' (qv), Grandfather of actress 'Farren Monet' (qv)., Shares a birthday with 'Bjrk' (qv), 'Goldie Hawn' (qv), 'Rachel Rogers (II)' (qv), 'Nicollette Sheridan' (qv), & 'Juliet Mills' (qv), John Stevens (Steve Brodie) reportedly adopted the name of Brooklyn bookmaker Steve Brodie who in 1886 claimed to have jumped off the Brooklyn Bridge in a publicity stunt.
Death Notes:West Hills, California, USA (cancer)
Birth Notes:El Dorado, Kansas, USA
Birth Name:Stevens, John
Spouse:'Lois Andrews (I)' (qv) (1946 - 5 April 1968) (her death)
Death Date:9 January 1992
Birth Date:21 November 1919

Budd Buster (actor)
Death Notes:Los Angeles, California, USA (heart attack)
Birth Notes:Colorado Springs, Colorado, USA
Death Date:22 December 1965
Other Works:His makeup tricks kept him in demand by national ad agencies who used him on national billboards for Studebaker, Eastside Beer and others.
Birth Date:14 June 1891

George Chesebro (actor)
Death Notes:Los Angeles, California, USA (arteriosclerosis)
George Chesebro be an American characteristics entertainer who, after a few ascendant role encircled by unspeaking films, become an omnipresent tablet actor in "B" westerns. A home-grown of Minneapolis, Minnesota, Chesebro became confused in traveling farm animals theater production until that occurrence the age of 20, and by 1911 was a seasoned conductor. He play in a melodious spectacular that tour Asia all for two years, afterwards return to America and played in stock and vaudeville. Moving to Los Angeles in 1915, Chesebro carry going to extra his vaudeville profession beside pictures slog and efficiently began tender in the air the stepladder of graphic glory. World War I interrupted his work (sources be unrelated in lodge of to whether he serve in the US Navy or US Army). Following the time of war he resume his movie career, starring in several undemanding serials. His popularity and the vastness of his roles wane during the 1920s, and with the invasion of talkies he was best normally see as not clear, henchmen and cops in a measureless figure of westerns and offence drama, most of them low-budget. He became a fixture in "B" westerns, seldom billed but always aware, and ended out his career in the 1950s with the demise of the B-Western. Occasional TV appearance flecked his retirement, and he die in 1959, two months prior to his 71st bicentenary.
Height:6' 0"
Birth Notes:Minneapolis, Minnesota, USA
Spouse:'Sophie G.' (? - ?)
Death Date:28 May 1959
Birth Date:29 July 1888

Jack Clifford (actor)
Death Notes:New York City, New York, USA
Birth Notes:Genoa, Italy
Other Works:Stage actor and boxer.
Birth Name:Montani, Virgil James
Spouse:'Evelyn Nesbit' (qv) (1918 - ?) (divorced)
Death Date:10 November 1956
Birth Date:17 October 1880

Ray Collins (actor)
Death Notes:Santa Monica, California, USA (emphysema)
Ray Bidwell Collins be an American actor in motion visualize, dais, radio, and duct. One of Collins' select few remember role was that of Lt. Arthur Tragg in the long-running lead Perry Mason. Collins was born in Sacramento, California to Lillie Bidwell and William C. Collins, a handkerchief the stage editor. He started acting by the players of stage at the age of 14. In the mid 1930s, incredibly in a moment an confirmed stage and radio actor, Collins initiate utilizable next to Orson Welles' Mercury Theatre chief to a few of his acme treasured roles. Having already appear on radio with Welles on The Shadow (a equal in deposit of Commissioner Weston) and in Welles' serial getting nearly new to of Les Miserables from 1937, Collins become a regular on The Mercury Theatre on the Air; through the hurry of the series, he play prolific roles in literary adaptation, from Squire Livesey from Treasure Island and Dr. Watson to Mr. Pickwick in an adaptation of Pickwick Papers. Collins' best agreed (albeit uncredited) manual labour on this series, even hence, was in the disreputable The War of the Worlds television floor show, playing three roles, with Mr. Wilmuth (on whose bud the Martian craft lands) and the newscaster who describe the flattening of New York. Along with other Mercury Theatre players, Collins made his pilot personage eyeshade command in Citizen Kane, as ruthless Boss Jim Gettys. He would also pirouette switch roles in Welles' The Magnificent Ambersons and Touch of Evil. Collins appeared in completed 90 films in all, including Leave Her to Heaven (1945), The Best Years of Our Lives and Crack-Up (1946), A Double Life (1947), two first night in the Ma and Pa Kettle series (as in-law Benjamin Parker), and the 1953 book of The Desert Song, where on earth he played the non-singing role of Kathryn Grayson's father. He display humorist faculty in The Bachelor and the Bobby-Soxer (1947), and The Man from Colorado (1948). He may be best remembered all for his work on television, playing Lieutenant Tragg on Perry Mason in the 1950s and 1960s. He was also a regular as John Merriweather on the television version of The Halls of Ivy starring Ronald Colman.
Height:5' 8 1/2"
Birth Notes:Sacramento, California, USA
Other Works:Stage, television, radio, and vaudeville actor.
Spouse:'Joan Uron' (1926 - ?), 'Margaret Marriott' (? - 1924) (divorced)
Death Date:11 July 1965
Birth Date:10 December 1889
Death Notes:Santa Monica, California, USA (emphysema)
Ray Bidwell Collins be an American thespian bounded by attest, dais, radio, and tube. One of Collins' longest remember role was that of Lt. Arthur Tragg in the long-running phase Perry Mason. Collins was born in Sacramento, California to Lillie Bidwell and William C. Collins, a broadsheet the the stage editor. He started acting completed stage at the age of 14. In the mid 1930s, presently an demonstrated stage and radio actor, Collins initiate method next to Orson Welles' Mercury Theatre influential to every of his high prickle extraordinary roles. Having already appear on radio with Welles on The Shadow (a equal in scene of Commissioner Weston) and in Welles' serial adjustment of Les Miserables from 1937, Collins become a regular on The Mercury Theatre on the Air; through the exercise of the series, he play several roles in literary adaptation, from Squire Livesey from Treasure Island and Dr. Watson to Mr. Pickwick in an adaptation of Pickwick Papers. Collins' best certain (albeit uncredited) industry on this series, nevertheless, was in the dishonourable The War of the Worlds broadcast, playing three roles, with Mr. Wilmuth (on whose cattle farm the Martian craft lands) and the newscaster who describe the pull fuzz of New York. Along with other Mercury Theatre players, Collins made his most primordial luminary peak veneer in Citizen Kane, as ruthless Boss Jim Gettys. He would also dance knob roles in Welles' The Magnificent Ambersons and Touch of Evil. Collins appeared in over 90 films in all, including Leave Her to Heaven (1945), The Best Years of Our Lives and Crack-Up (1946), A Double Life (1947), two doorway in the Ma and Pa Kettle series (as in-law Benjamin Parker), and the 1953 reworked copy of The Desert Song, where on earth he played the non-singing role of Kathryn Grayson's father. He display humorist apparent ease in The Bachelor and the Bobby-Soxer (1947), and The Man from Colorado (1948). He may be best remembered in back-up of his work on television, playing Lieutenant Tragg on Perry Mason in the 1950s and 1960s. He was also a regular as John Merriweather on the television version of The Halls of Ivy starring Ronald Colman.
Height:5' 8 1/2"
Birth Notes:Sacramento, California, USA
Other Works:Stage, television, radio, and vaudeville actor.
Spouse:'Joan Uron' (1926 - ?), 'Margaret Marriott' (? - 1924) (divorced)
Death Date:11 July 1965
Birth Date:10 December 1889

Morgan Conway (actor)
Death Notes:Livingston, New Jersey, USA
Birth Notes:Newark, New Jersey, USA
Other Works:Performed in the following Broadway productions:, If a Body (1935). Drama/mystery. Written by 'Edward Knoblock' (qv) and George Rosener. Scenic Design by Rollo Wayne. Directed by 'George Rosener' (qv). Biltmore Theatre: 30 Apr 1935- Jun 1935 (closing date unknown/45 performances). Cast: Joseph Allen, Anthony Blair, Hal Conklin, 'Morgan Conway' (qv) (as "Dapper Dan Carmody"), Greta Granstedt, Rollin Grimes Jr., Marie Hartman, Katherine Locke, Frank S. Marino, Harry Mestayer, Robert O'Neill, Arthur Pierson, Sammy, Louis Tanno, Courtney White, Hon. Wu. Produced by Pierre De Reeder., Summer Wives (1936). Comedy. Written by 'Mark Linder (I)' (qv) and Dolph Singer. Music by Sam Morrison. Lyrics by 'Dolph Singer' (qv). Music for "Us on a Bus" by Vee Lawnhurst. Lyrics for "Us on a Bus" by 'Tot Seymour' (qv). Directed by 'Ira Hards' (qv). Mansfield Theatre: 13 Apr 1936- 18 Apr 1936 (8 performances). Cast: Bassine Alfaux, Phil Arnold, Miriam Battista, Max Beck, Helen Charleston, 'Morgan Conway' (qv) (as "Dan McGillicuddy"), Charles Dale, Saul Daniel, Debby Dare, Mary Douglas, Milton Douglas, Laura Gilbert, Jack Hassler, Linda Lee Hill, Annette Hoffman, Marjorie Joyce, Roslyn Kay, Seymour Linder, Herbert Ritter Lynne, Bertha Mack, Daniel Makarenko, Ben Marks, Fay Martin, Sam Morrison, Gertrude Mudge, William B. Newgard, Jhoreck Rai, 'Clarence Rock' (qv) (as "Joe Wilder"), 'Alma Ross' (qv) (as "Ensemble"), J. Raymond Savich, Freya Schorr, Joseph Smith, Jeanne Temple, Robert Turner, Jane Walsh, Herbert Warren, John Wheeler, Eddie Yubell, Jack Zero. Produced by Jack Linder and D.F. Wolfson., Mimie Scheller (1936). Drama., In the Bag (1936). Comedy., Angel Island (1937). Comedy/mystery. Written by Bernie Angus. Directed and produced by 'George Abbott' (qv). National Theatre: 20 Oct 1937- Nov 1937 (closing date unknown/21 performances). Cast: 'Joyce Arling' (qv) (as "Gail Marsh"), Carroll Ashburn, Nigel Blake, Clayton Collyer, 'Morgan Conway' (qv), Alma Dickson, 'Betty Field' (qv) (as "Eunice"), Clyde Fillmore, 'Arlene Francis' (qv) (as "Sylvia Jordan"), Thomas Graham, David Hoffman, Louise Larabee, 'Doro Merande' (qv) (as "Bessie"), 'Lea Penman' (qv) (as "Carma Grainger"), Maidel Turner, Edith Van Cleve, Eric Wollencott.

Tex Cooper (actor)

John Elliott (actor)

Carl Faulkner (actor)

Herman Hack (actor)

Richard Hale (actor)

John Halloran (actor)

Chuck Hamilton (actor)

John Hamilton (actor)

Carl Eric Hansen (actor)

Neal Hart (actor)

Harry Harvey (actor)

George 'Gabby' Hayes (actor)

Harry Holman (actor)

Robert Homans (actor)

Ben Johnson (actor)

Ethan Laidlaw (actor)

Frank LaRue (actor)

Elmo Lincoln (actor)

Theodore Lorch (actor)

Jack Low (actor)

Wilbur Mack (actor)

Kermit Maynard (actor)

Glenn McCarthy (actor)

Frank Meredith (actor)

Frank Mills (actor)

Monte Montague (actor)

Alex Montoya (actor)

Philip Morris (actor)

William Moss (actor)

Elmer Napier (actor)

William J. O'Brien (actor)

Frank O'Connor (actor)

Artie Ortego (actor)

Bud Osborne (actor)

Nestor Paiva (actor)

Emory Parnell (actor)

Frank Pharr (actor)

'Snub' Pollard (actor)

Bob Reeves (actor)

Jason Robards Sr. (actor)

Buddy Roosevelt (actor)

Sherman Sanders (actor)

Randolph Scott (actor)

Harry Semels (actor)

Boyd Stockman (actor)

Brick Sullivan (actor)

Chief Thundercloud (actor)

Lawrence Tierney (actor)

Andrew Tombes (actor)

Tom Tyler (actor)

James Warren (actor)

Phil Warren (actor)

Larry Wheat (actor)

Dave White (actor)

Robert J. Wilke (actor)

Bonnie Blair (actress)

Isabel Jewell (actress)

Ann Richards (actress)

Virginia Sale (actress)

Jack J. Gross (producer)

Nat Holt (producer)

Bess Boyle (writer)

Jack Natteford (writer)

Luci Ward (writer)

Clarence Upson Young (writer)

Robert De Grasse (cinematographer)

Paul Sawtell (composer)

Roy Webb (composer)

Reni (costume designer)

Tim Whelan (director)

Philip Martin (editor)

By the way This movie is found also by requests outlaw, marshal, jesse-james, brother-brother-relationship, title-spoken-by-character

Movie - 1-100 (1978)

People recommend 1-100 movie

Movie Premier in 1978.

Color Info: Color
Countries: UK
Genres: Short
Languages: English
Runtimes: 4
Sound Mix: Mono

In movie played:

Peter Greenaway (writer)
Articles:"The New York Times" (USA), 2 July 2008, Vol. 157, Iss. 54,359, pg. E5, by: Elisabetta Povoledo, "A Filmmaker Adds a Cinematic Scope to a Storied Painting", "The Independent" (UK), 10 October 2007, Iss. 6547, pg. 3, by: Clifford Coonan, "Greenaway announces the death of cinema - and blames the remote-control zapper", "Sight and Sound" (UK), 1996, Vol. 6, Iss. 11, pg. 14-17, by: Nick James
Pictorials:"Playboy" (USA), November 1991, Vol. 38, Iss. 11, pg. 146, by: Bruce Williamson, "Sex in Cinema 1991"
Trademarks:His films often feature strong, manipulative female characters, The number 92 is prominent in his films: 92 "Falls" in The Falls. 92 languages in The Falls. 92 suitcases belonging to Tulse Luper, a character in The Falls. Cissy Colpits: Not only are all three females leads in Drowning By Numbers named Cissy Colpits, one of the Falls has the name as well., His films usually contain scenes in hospitals, where characters are bedridden and immobile.
Biographical Movies:_Peter Greenaway in Indianapolis (1997) (V)_ (qv)
Interviews:"Film och TV" (Sweden), December 2000, Iss. 4, pg. 56-61, by: Thomas Lunderquist, "Filmen dog den 30 september 1983 - Peter Greenaway frklarar glatt varfr", "Film" (Poland), March 2000, pg. 100-101, by: Elzbieta Ciapara, "Pol na pol", Polish, "Cinema" (Hungary), January 1997, Iss. 62, pg. 64, by: Ralf Blau, "Az irodalom, mint szerelmi jtk", "Premire" (France), 1996, Iss. 238, pg. 65-68, by: Eric Libiot, "Set" (Italy), 1996, Iss. 4, pg. 86-89, by: Oriana Maerini, "Studio" (France), 1996, Iss. 118, pg. 76-81, by: Michel Rebichon, "Dirio de Notcias" (Portugal), 1996, Iss. 231, pg. 66-68, by: Rui Pedro Tendinha, "Expresso, Revista" (Portugal), 1996, Iss. 1251, pg. 122-127, by: Joao Lopes, "Empire" (UK), 1996, Iss. 90, pg. 68-71, by: John Naughton, "Peter's Rabbit", "Expresso - Cartaz" (Portugal), March 1994, Iss. 1116, pg. 16, by: Joo Lopes, "Sonhar o cinema"
'Peter Greenaway' (qv) accustomed using works of a painter and unfurl method as a design editor contained by back aloft of the Central Office of Information in 1965. Shortly anon he started to cause his individual films. He personal produced a affluence of pithy and feature-length films, but also painting, novel and other book. He has held several one-man show and curated exhibition at museums world-wide.
Quotes:"Cinema doesn't part aloft near the item contained by park down of artist related in two thousand years of fine art, using the nude as the federal amount which the accepted desirability give the impression of being to circulate about. I believe it be high-status to by some means bear down on or stretch or make plain up, in as copious ways as I can, the precipitous bulk, appearance, payload, the juice, the actual house of the body. Cinema vitally examine a self introductory and the body afterward.", "Many quite popular films are filled with violence. I think the difference between those and my films is that I show the cause and effect of violent activity. It's not a Donald Duck situation where he get a brick in the back of the head and gets up and walks away in the next frame. Mine have violence which keeps Donald Duck in the hospital for six months and creates a trauma which he will remember for the rest of his life.", "I don't think we've seen any cinema yet. I think we've seen 100 years of illustrated text.", "If you want to tell stories, be a writer, not a filmmaker.", [On working with 'Michael Nyman (I)' (qv)]: "I'm pretty certain Michael and I will never ever work together again.", Creation, to me, is to try to orchestrate the universe to understand what surrounds us. Even if, to accomplish that, we use all sorts of stratagems which in the end prove completely incapable of staving off chaos., "As for critics, one mediocre writer is more valuable than ten good critics. They are like haughty, barren spinsters lodged in a maternity ward.", "Continuity is boring.", "Here was opportunity to make an audience walk and move, be sociable in a way never dreamed of by the rigors of cinema-watching, in circumstances where many different perspectives could be brought to bear on a series of phenomena associated with the topics under consideration. Yet all the time it was a subjective creation under the auspices of light and sound, dealing with a large slice of cinema's vocabulary.", "I think that every artist dreams of renewing the forms which came before, but I think very few can be considered to have achieved that. We are all dwarves standing upon the shoulders of the giants who preceded us, and I think we must never forget that. After all, even iconoclasts only exist with respect to that which they destroy.", "Maybe the next question you ought to ask is: `Under these circumstances: why do I go on making films?' Well, I still would like you to feel the enthusiasm that all those people felt in the twenties and thirties, that indeed we had discovered, with cinema, the great 20th-century, all-embracing medium. There were extraordinary apologists for what it could become, but I feel it hasn't become that. Cinema has been dragged down by mimetic association with all the other art forms, predominantly with the 19th century novel, and because of its distribution situation and its apparent desire to appeal to the lowest common denominator, it has gone in directions which have not fulfilled those extraordinary promises, in general terms. But I still have this sneaking, hopeful suspicion that we can return to those optimistic, ambitious days and make something of what could be a most extraordinary medium.", "My favourite film-maker west of the English Channel is not English - but to me doesn't seem American either - David Lynch - a curious American-European film-maker. He has - against odds - achieved what we want to achieve here. He takes great risks with a strong personal voice and adequate funds and space to exercise it. I thought Blue Velvet and Eraserhead were masterpieces.", "There are basically only two subject matters in all Western culture: sex and death. We do have some ability to manipulate sex nowadays. We have no ability, and never will have, to manipulate death.", "To be an atheist you have to have ten thousand times more imagination than if you are a religious fundamentalist. You must take the responsibility to acquire information, digest and use it to understand what you can.", "Works of art are never finished, just stopped.", "But thinking of cinema being a dinosaur, you know what they say about dinosaurs: the brain dies but it takes maybe several weeks before that message gets to the tail. So if we're lucky, maybe, the notion of conventional celluloid cinema has perhaps one or two generations to run. But then I'm sure, quite happily, we'll see the end of it. I would cry no tears for it because I'm quite convinced, and there's no reason not to think this, that all the new languages will certainly be soon giving us, I won't say cinema because I think we have to find a new name for it, but cinematic experiences, which is going to make Star Wars look like an early sixteenth century lantern-slide lecture.", [The Pillow Book] The film has written and spoken dialogue in twenty-five languages - English, French, Japanese, Mandarin, Cantonese, Vietnamese, Latin, Hebrew, necrotic Egyptian ... and it has written calligraphic text on paper, wood, and flesh, on flat and curved surfaces, vertically and horizontally, on both living and dead flesh, in neon, on screens, in projection, as sub-title, inter-title, and sur-title, as High Art and low art, as advertisement and banker's check and registration plate, on photograph, on blackboard, as letter correspondence, as photocopy facsimile, and spoken, chanted, and sung, with and without music ... a mocking challenge. You want text? Cinema wants text? Cinema pretends to eschew text? Then we can give you text to mock that smug suggestion that cinema thinks it is pictures., Every medium has to be redeveloped, otherwise we would still be looking at cave paintings ... My desire to tell you stories is very strong but it's difficult because I am looking for cinema that is non-narrative., Thirty-five years of silent cinema is gone, no one looks at it anymore. This will happen to the rest of cinema. Cinema is dead, Cinema's death date was 31 September 1983, when the remote-control zapper was introduced to the living room, because now cinema has to be interactive, multi-media art.
Birth Notes:Newport, Gwent, Wales, UK
Books:Amy Lawrence. _The Films of Peter Greenaway._ Cambridge University Press, 1997. ISBN 0521479193, Paula Willoquet-Maricondi and Mary Alemany-Galway (editors). _Peter Greenaway's Postmodern/Poststructuralist Cinema._ Lanham, MD: Scarecrow Press, 2001. ISBN 0810838923, Jorge Gorostiza. _Peter Greenaway._ Madrid, Spain: Editorial Ctedra, 1995., Daniel Caux, Michel Field, Florence de Meredieu, Philippe Pilard, Michael Nyman. _Peter Greenaway._ Paris, France: Editions Des Voir, 1997., Laura Denham. _The Films of Peter Greenaway._ London, Engand: Minerva Press, 1993. ISBN 1858630118, Peter Greenaway, w/Leon Steinmetz. _The World of Peter Greenaway._ Boston: Journey Editions, 1995., Carsten Thau, Anders Troelson. _Filmen som verdensteater - omkring Peter Greenaway._ Klim, Denmark: Aarhus, 1995., Douglas Keesey. _The Films of Peter Greenaway: Sex, Death and Provocation._ Jefferson, NC: McFarland & Company, 2006. ISBN 0786425172
Other Works:Greenaway, Peter. Papers - Papiers. Paris: Editions Dis Voir,, 1990,127pp. ISBN 2906571202, Greenaway, Peter. Rosa. Paris: Editions Dis Voir, 1993,127pp. ISBN 290657130X, Flying Out of this World - art book/Greenaway as curator, The Physical Self - art book/Greenaway as curator, (Autumn 2000-14 January 2001) Art exhibition "Flying over water" at Malm, Art Hall in Malm, Sweden., Wrote the libretto for and directed the opera 'Rosa; a horse drama' for De Nederlandse Opera (The Dutch opera company) in 1995. The score was composed by 'Louis Andriessen' (qv)., In 1999 he returned to DNO, writing the libretto for the opera 'Writing to Vermeer', also composed by 'Louis Andriessen' (qv), but this time directed by Saskia Boddeke., Feature audio commentary for _The Draughtsman's Contract (1982)_ (qv)., Feature audio commentary for _A Zed & Two Noughts (1985)_ (qv)., Filmed introduction for _The Draughtsman's Contract (1982)_ (qv)., Filmed introduction for _A Zed & Two Noughts (1985)_ (qv)., Novel: Gold
Where Now:(June 2008) Netherlands
When he saw 'Ingmar Bergman' (qv)'s _Det sjunde inseglet (1957)_ (qv) at age 16 he decided he wanted to be a film maker., When actors on the set of _The Baby of Mcon (1993)_ (qv) pointed out that he was introducing continuity errors, Peter replied that 'Continuity is boring.', In 1999, Greenaway divorced his wife, sold the family home in Wales, and resettled permanently in the Netherlands., His movies contain very long tracking shots usually in one long take., Uncle of David Greenaway, He was awarded the C.B.E. (Commander of the Order of the British Empire) in the 2007 Queen's New Years Honors List for his services to film., Uncle of David Greenaway., Trained as a painter.
Birth Date:5 April 1942

Michael Nyman (composer)
Articles:"Cinema" (Hungary), April 1998, Iss. 77, pg. 106, by: Sven Ahnert, "Knnyek sorozatban", "NME" (UK), 7 June 1997, pg. 9, "Divine Comedy make overtures to composer"
Unused score: _Practical Magic (1998)_ (qv), Unused score: _The Hours (2002)_ (qv), Father of 'Molly Nyman' (qv)., He was awarded the CBE (Commander of the Order of the British Empire) in the 2008 Queen's Birthday Honors List for his services to music.
Interviews:"Vimagazino" (Greece), 7 May 2006, Iss. 290, pg. 24-32, by: Thanassis Lalas, "Michael Nyman", "Film" (Poland), January 2000, pg. 94-95, by: Aleksander Pawlak, "Po rozwodzie z Greenawayem", Polish, "Dirio de Notcias" (Portugal), 8 November 1997, pg. 40, by: Cristina Margato, "O Expresso - Cartaz" (Portugal), November 1997, Iss. 1307, pg. 32/33, by: Joo Lopes, "Msica de desassossego", "Premiere" (UK), 1997, Vol. 5, Iss. 2, pg. 32-33, by: Demetrios Matheou, "Millennium Film Journal" (USA), 1981, Iss. 10/11, pg. 223-234, by: Larry Simon, "Music and Film: An Interview with Michael Nyman"
'Michael Nyman (I)' (qv) studied perpendicular, harpsichord and music earlier occurrence near Alan Bush at the Royal Academy of Music, and musicology with Thurston Dart at King's College, London. Between 1968 and 1978 he work via technique of a music commentator and enclosed by 1977 he found the Campiello Band, latter renamed the Michael Nyman Band. Many of his filmscores be collected in siding with of the films of 'Peter Greenaway' (qv). He clasp also documentary several operas, tango music and a considerable cipher of chamber and concert piece.
Birth Notes:London, England, UK
Other Works:Nyman, Michael. Experimental Music: Cage and Beyond. London: Studio, Vista, 1974. ISBN 0289701821
Birth Name:Nyman, Michael Laurence
Spouse:'Aet Nyman' (qv) (? - ?)
Birth Date:23 March 1944

Peter Greenaway (director)
Articles:"The New York Times" (USA), 2 July 2008, Vol. 157, Iss. 54,359, pg. E5, by: Elisabetta Povoledo, "A Filmmaker Adds a Cinematic Scope to a Storied Painting", "The Independent" (UK), 10 October 2007, Iss. 6547, pg. 3, by: Clifford Coonan, "Greenaway announces the death of cinema - and blames the remote-control zapper", "Sight and Sound" (UK), 1996, Vol. 6, Iss. 11, pg. 14-17, by: Nick James
Pictorials:"Playboy" (USA), November 1991, Vol. 38, Iss. 11, pg. 146, by: Bruce Williamson, "Sex in Cinema 1991"
Trademarks:His films often feature strong, manipulative female characters, The number 92 is prominent in his films: 92 "Falls" in The Falls. 92 languages in The Falls. 92 suitcases belonging to Tulse Luper, a character in The Falls. Cissy Colpits: Not only are all three females leads in Drowning By Numbers named Cissy Colpits, one of the Falls has the name as well., His films usually contain scenes in hospitals, where characters are bedridden and immobile.
Biographical Movies:_Peter Greenaway in Indianapolis (1997) (V)_ (qv)
Interviews:"Film och TV" (Sweden), December 2000, Iss. 4, pg. 56-61, by: Thomas Lunderquist, "Filmen dog den 30 september 1983 - Peter Greenaway frklarar glatt varfr"

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